อ้างอิง ของ รายชื่อภาพยนตร์ที่ทำเงินสูงสุด

  1. 1 2 Pincus-Roth, Zachary (January 8, 2006). "Producers claim prod'n has grossed over $3.2 bil at the B.O. worldwide". Variety. สืบค้นเมื่อ February 2, 2014.
  2. ↑ "Avatar – Video Sales". The Numbers. Nash Information Services, LLC. สืบค้นเมื่อ November 12, 2013.
  3. ↑ "Unkind unwind". The Economist. March 17, 2011. สืบค้นเมื่อ April 12, 2012.
  4. ↑ Vogel, Harold L. (2010). Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. p. 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.
  5. ↑ Clark, Emma (November 12, 2001). "How films make money". BBC News. สืบค้นเมื่อ April 12, 2012.
  6. ↑ Pincus-Roth, Zachary (January 8, 2006). "Movies aren't the only B.O. monsters". Variety. สืบค้นเมื่อ September 24, 2014.
  7. ↑ Seymour, Lee (December 18, 2017). "Over The Last 20 Years, Broadway's 'Lion King' Has Made More Money For Disney Than 'Star Wars'". Forbes. สืบค้นเมื่อ July 28, 2019.
  8. ↑ "The Entertainment Glut". Bloomberg Businessweek. February 15, 1998. สืบค้นเมื่อ September 25, 2014.
  9. ↑ "Pixar – Worldwide (Unadjusted)". Box Office Mojo. สืบค้นเมื่อ April 12, 2012.
  10. ↑ Szalai, Georg (February 14, 2011). "Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales". The Hollywood Reporter. Archived from the original on March 19, 2011.
  11. ↑ Chmielewski, Dawn C.; Keegan, Rebecca (June 21, 2011). "Merchandise sales drive Pixar's 'Cars' franchise". Los Angeles Times. สืบค้นเมื่อ April 12, 2012.
  12. ↑ Palmeri, Christopher; Sakoui, Anousha (November 7, 2014). "More Disney Fun and Games With 'Toy Story 4' in 2017". Bloomberg News. สืบค้นเมื่อ June 30, 2015.
  13. ↑ "Top Lifetime Grosses". Box Office Mojo. สืบค้นเมื่อ December 16, 2019.
  14. ↑ "The Fate of the Furious (2017) – International Box Office Results: Argentina". Box Office Mojo. สืบค้นเมื่อ January 11, 2018.
  15. ↑ "Pixar Movies at the Box Office". Box Office Mojo. Archived from the original on August 16, 2016.
  16. ↑ "Pixar Movies at the Box Office". Box Office Mojo. Archived from the original on August 20, 2016.
  17. ↑ Brevert, Brad (May 29, 2016). "'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide". Box Office Mojo. สืบค้นเมื่อ May 29, 2016.
  18. 1 2 Bialik, Carl (January 29, 2010). "How Hollywood Box-Office Records Are Made". The Wall Street Journal. สืบค้นเมื่อ August 9, 2011.
  19. 1 2 Pincus-Roth, Zachary (July 6, 2009). "Best Weekend Never". Slate. สืบค้นเมื่อ August 10, 2011.
  20. 1 2 Anderson, S. Eric; Albertson, Stewart; Shavlick, David (March 2004). How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. Archived from the original (DOC) on October 29, 2013. สืบค้นเมื่อ April 8, 2013.
  21. ↑ Gray, Brandon. "'Avatar' Claims Highest Gross of All Time". Box Office Mojo. สืบค้นเมื่อ February 3, 2010.
  22. 1 2 Bialik, Carl (January 30, 2010). "What It Takes for a Movie to Be No. 1". The Wall Street Journal. สืบค้นเมื่อ August 9, 2011.
  23. ↑ Kolesnikov-Jessop, Sonia (May 22, 2011). "Hollywood Presses Its Global Agenda". The New York Times. สืบค้นเมื่อ January 4, 2012.
  24. ↑ Hoad, Phil (August 11, 2011). "The rise of the international box office". The Guardian. สืบค้นเมื่อ January 4, 2012.
  25. ↑ Frankel, Daniel (May 1, 2011). "Why the Foreign Box Office Leads: 'Fast Five,' 'Thor' Open Overseas First". The Wrap. สืบค้นเมื่อ January 4, 2012.
  26. 1 2 Bialik, Carl (December 17, 2007). "Box-Office Records Are the Stuff of 'Legend'". The Wall Street Journal. สืบค้นเมื่อ August 10, 2011.
  27. 1 2 Leonhardt, David (March 1, 2010). "Why 'Avatar' Is Not the Top-Grossing Film". The New York Times. สืบค้นเมื่อ April 7, 2013.
  28. 1 2 Miller, Frank; Stafford, Jeff (January 5, 2007). "Gone With the Wind (1939) – Articles". Turner Classic Movies. Archived from the original on September 26, 2013.
  29. 1 2 Shone, Tom (February 3, 2010). "Oscars 2010: How James Cameron took on the world". The Daily Telegraph. สืบค้นเมื่อ March 22, 2012.
  30. ↑ Hill, George F. (June 25, 2006). "Gone With The Wind, Indeed". The Washington Post. สืบค้นเมื่อ February 13, 2013.
  31. 1 2 Records, Guinness World (2014). Guinness World Records. 60 (2015 ed.). pp. 160–161. ISBN 9781908843708.
  32. ↑ "World Economic Outlook: Inflation rate, end of period consumer prices". International Monetary Fund. สืบค้นเมื่อ May 10, 2019.
  33. ↑ Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды [Guinness World Records] (in Russian). Translated by Andrianov, P.I.; Palova, I.V. (2012 ed.). Moscow: Astrel. p. 211. ISBN 978-5-271-36423-5.CS1 maint: Unrecognized language (link)
  34. ↑ "Titanic 3D (2012) – International Box Office results". Box Office Mojo. สืบค้นเมื่อ November 25, 2012. North America: $57,884,114; Overseas: $285,666,656
  35. ↑ "Titanic (20th Anniversary)". Box Office Mojo. สืบค้นเมื่อ July 1, 2019. Domestic Total Gross: $691,642
  36. 1 2 Cones, John W. (1997). The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. p. 41. ISBN 978-0-8093-2082-0. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.
  37. ↑ Marich, Robert (2009) [1st. pub. Focal Press:2005]. Marketing to moviegoers: a handbook of strategies used by major studios and independents (2 ed.). Southern Illinois University Press. p. 252. ISBN 9780809328840. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.
  38. ↑ Balio, Tino (2005). The American film industry. University of Wisconsin Press. p. 296. ISBN 978-0-299-09874-2. Film Rentals as Percent of Volume of Business (1939): 36.4
  39. ↑ Balio, Tino (1987). United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. p. 124–125. ISBN 978-0-299-11440-4. To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.
  40. ↑ Hall & Neale 2010, p. 179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible—in the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
  41. ↑ Williams, Trey (September 25, 2015). "Ridley Scott's latest 'Alien' announcement drives Hollywood's sequel problem". MarketWatch. สืบค้นเมื่อ May 12, 2016.
  42. ↑ "Yearly Box Office". Box Office Mojo. สืบค้นเมื่อ January 6, 2012.
  43. ↑ "Movie Index By Year". The Numbers. Nash Information Services. สืบค้นเมื่อ January 6, 2012.
  44. ↑ Dirks, Tim. "All-Time Box-Office Hits By Decade and Year". Filmsite.org. American Movie Classics. สืบค้นเมื่อ January 5, 2012.
  45. ↑ "Bad Boys for Life". Box Office Mojo. สืบค้นเมื่อ January 27, 2020.
  46. ↑ "20,000 Leagues Under the Sea". The Numbers. Nash Information Services, LLC. สืบค้นเมื่อ January 5, 2012.
  47. 1 2 Finler 2003, p. 358
  48. ↑ Milwaukee Magazine. 32. 2007. The year's top–grossing movie, Aloma made $3 million in the first three months and brought Gray back to Milwaukee for its opening at the Wisconsin Theatre. (Online copy at Google Books)
  49. ↑ Parkinson, David (2007). The Rough Guide to Film Musicals. Dorling Kindersley. p. 28. ISBN 9781843536505. But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.
  50. ↑
  51. ↑ "ข่มขืนต้องแก้แค้น! ที่ทางของหนัง rape-revenge กับปัญหาของความสาแก่ใจ". themomentum.co. The Momentum. สืบค้นเมื่อ May 7, 2019.
  52. ↑ McDermott, Christine (2010), Life with Father, p. 307, No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000. In: Block & Wilson 2010.
  53. ↑ Mulligan, Hugh A. (September 23, 1956). "Cinerama Pushing Ahead As Biggest Money-Maker". The Register-Guard. Eugene, Oregon. p. 7B. |access-date= requires |url= (help)
  54. ↑ Hall & Neale 2010, p. 145. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats."
  55. 1 2 3 4 5 6 Dirks, Tim. "Top Films of All-Time: Part 1 – Box-Office Blockbusters". Filmsite.org. สืบค้นเมื่อ August 11, 2010.
  56. 1 2 Wasko, Janet (1986). "D.W. Griffiths and the banks: a case study in film financing". In Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. p. 34. ISBN 9780710097309. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
  57. ↑ "Biggest Money Pictures". Variety. June 21, 1932. p. 1. Cited in "Biggest Money Pictures". Cinemaweb. Archived from the original on November 5, 2011. สืบค้นเมื่อ June 25, 2015.
  58. ↑ "'Peter Pan' flies again". Daily Record. Ellensburg, Washington. United Press International. July 21, 1989. p. 16.
  59. ↑ Block & Wilson 2010, p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".
  60. ↑ Finler 2003, p. 47. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later."
  61. ↑ Barrios, Richard (1995). A Song in the Dark: The Birth of the Musical Film. Oxford University Press. p. 49. ISBN 978-0-19-508811-3. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.
  62. ↑ Everson, William K. (1998) [First published 1978]. American silent film. Da Capo Press. p. 374. ISBN 978-0-306-80876-0. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930s. After listing it until the mid-1970s as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.
  63. ↑ Hall & Neale 2010, p. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era."
  64. 1 2 du Brow, Rick (September 22, 1965). "Documentary On The Klan Made Quite An Impact On Du Brow". The Columbus Dispatch. p. 12.
  65. ↑ Hodgkinson, Will (April 12, 2004). "Culture quake: The Birth of a Nation". The Daily Telegraph. สืบค้นเมื่อ January 31, 2012.
  66. ↑ Thomas, Bob (January 18, 1963). "'West Side Story' Earned $19 Million Last Year". Reading Eagle. Associated Press. p. 20.
  67. ↑ Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt (1965). "Christian Herald". 88: 68. Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.
  68. ↑ Hall & Neale 2010, pp. 160–161. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
  69. ↑ Oviatt, Ray (April 16, 1961). "The Memory Isn't Gone With The Wind". Toledo Blade. p. 67–68.
  70. ↑ "Ben-Hur (1959) – Notes". Turner Classic Movies. สืบค้นเมื่อ November 17, 2012.
  71. ↑ Thomas, Bob (August 1, 1963). "Movie Finances Are No Longer Hidden From Scrutiny". The Robesonian. Associated Press. p. 10.
  72. ↑ Block & Wilson 2010, p. 324. "Worldwide rentals: $66.1 million (initial release)"
  73. ↑ Bartel, Pauline (1989). The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. p. 127. ISBN 978-0-87833-619-7. At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.
  74. ↑ Dick, Bernard F. (1997). City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. p. 168. ISBN 9780813120164. Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.
  75. ↑ Kilday, Gregg (July 5, 1977). "Director of 'Jaws II' Abandons His 'Ship'". The Victoria Advocate. p. 6B.
  76. ↑ https://books.google.ro/books?id=aD1EBgAAQBAJ&pg=PA173&lpg=PA173#v=onepage&q=500%20million&f=false
  77. ↑ New York (AP) (May 26, 1978). "Scariness of Jaws 2 unknown quantity". The StarPhoenix. p. 21.
  78. ↑ Fenner, Pat C. (January 16, 1978). "Independent Action". Evening Independent. p. 11-A.
  79. ↑ Cook, David A. (2002). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. Volume 9 of History of the American Cinema, Charles Harpole. University of California Press. p. 50. ISBN 9780520232655. The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top- grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.
  80. ↑ "Titanic sinks competitors without a trace". BBC News. BBC. February 25, 1998. สืบค้นเมื่อ August 13, 2010.
  81. ↑ Cieply, Michael (January 26, 2010). "He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic'". The New York Times. สืบค้นเมื่อ January 27, 2010.
  82. ↑ Segers, Frank (January 25, 2010). "'Avatar' breaks 'Titanic' worldwide record". The Hollywood Reporter. สืบค้นเมื่อ December 4, 2010.
  83. ↑ Whitten, Sarah (July 21, 2019). "'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'". CNBC. Archived from the original on July 21, 2019. สืบค้นเมื่อ July 21, 2019.
  84. ↑ Robbins, Shawn (July 20, 2019). "Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday". BoxOffice. Archived from the original on July 24, 2019. สืบค้นเมื่อ July 24, 2019.
  85. ↑ "Box Office History for James Bond Movies". The Numbers. Nash Information Services. สืบค้นเมื่อ January 4, 2012.
  86. ↑ "Box Office History for Star Wars Movies". The Numbers. Nash Information Services. สืบค้นเมื่อ January 4, 2012.
  87. ↑ "Indiana Jones – Worldwide (Unadjusted)". Box Office Mojo. สืบค้นเมื่อ January 6, 2012.
  88. ↑ Anderson, Dave (November 16, 2003). "Bayonne Bleeder Throws a Punch at the Italian Stallion". The New York Times. สืบค้นเมื่อ January 4, 2012.
  89. ↑ Schneiderman, R. M. (August 10, 2006). "Stallone Settles With The 'Real' Rocky". Forbes. สืบค้นเมื่อ January 4, 2012.
  90. ↑ Poller, Kenneth G. (November 12, 2003). "Charles Wepner v. Sylvester Stallone" (PDF). Mango & Iacoviello. สืบค้นเมื่อ January 4, 2012.
  91. ↑ "Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm". Box Office Mojo. สืบค้นเมื่อ January 6, 2012.
  92. ↑ "Jurassic Park – Worldwide (Unadjusted)". Box Office Mojo. สืบค้นเมื่อ January 6, 2012.
  93. ↑ "Box Office History for Star Trek Movies". The Numbers. Nash Information Services. สืบค้นเมื่อ January 4, 2012.
  94. ↑ "Movie Franchises". The Numbers. Nash Information Services, LLC. สืบค้นเมื่อ September 19, 2017.
  95. ↑ The Economist online (July 11, 2011). "Pottering on, and on". The Economist. สืบค้นเมื่อ January 4, 2012.
  96. ↑ Nevins, Jess (August 23, 2011). "A Brief History of the Crossover". io9. สืบค้นเมื่อ July 19, 2018.
  97. ↑ Nevins, Jess (September 9, 2011). "The First Shared Universes". io9. สืบค้นเมื่อ July 19, 2018.
  98. ↑ "How 'Spectre' May Stack Up With 'Thunderball' as a James Bond Blockbuster". The New York Times. November 6, 2015. สืบค้นเมื่อ January 7, 2018.
  99. ↑ Prior to the release of Spectre in 2015, the James Bond series had grossed approximately $17.7 billion at 2015 prices;[98] after factoring in earnings of almost $900 million from Spectre, the series has earned at least $18.6 billion adjusted for inflation.
  100. ↑ Harrod, Horatia (May 17, 2011). "Pixar's $6 billion playthings". The Daily Telegraph. สืบค้นเมื่อ April 12, 2012.
  101. ↑ Swatman, Rachel (June 16, 2015). "Star Wars: The Force Awakens second trailer sets YouTube world record". Guinness World Records. สืบค้นเมื่อ June 17, 2015.
  102. ↑ "Field Listings – Exchange Rates". The World Factbook. Central Intelligence Agency. สืบค้นเมื่อ June 17, 2015.
แหล่งข้อมูลบ็อกซ์ออฟฟิศเลื่อนเพื่อดู
  1. 1 2 3 "Avengers: Endgame (2019)". Box Office Mojo. สืบค้นเมื่อ October 15, 2019.
  2. 1 2 3 4 5 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on October 23, 2019.
  3. 1 2 3 Avatar
  4. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 3, 2010.
  5. 1 2 3 Titanic
  6. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 16, 2001.
  7. 1 2 "Star Wars: The Force Awakens (2015)". Box Office Mojo. สืบค้นเมื่อ August 15, 2016.
  8. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 5, 2016.
  9. 1 2 "Avengers: Infinity War (2018)". Box Office Mojo. สืบค้นเมื่อ January 13, 2019.
  10. 1 2 3 4 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 1, 2019.
  11. ↑ "Jurassic World (2015)". Box Office Mojo. สืบค้นเมื่อ November 24, 2015.
  12. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 26, 2015.
  13. ↑ "The Lion King (2019)". Box Office Mojo. สืบค้นเมื่อ January 9, 2020.
  14. 1 2 "The Avengers (2012)". Box Office Mojo. สืบค้นเมื่อ January 28, 2017.
  15. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on October 1, 2012.
  16. ↑ "Furious 7 (2015)". Box Office Mojo. สืบค้นเมื่อ December 23, 2015.
  17. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on June 26, 2015.
  18. ↑ "Frozen II (2019)". Box Office Mojo. สืบค้นเมื่อ January 27, 2020.
  19. ↑ "Avengers: Age of Ultron (2015)". Box Office Mojo. สืบค้นเมื่อ January 3, 2016.
  20. ↑ "Black Panther (2018)". Box Office Mojo. สืบค้นเมื่อ October 29, 2018.
  21. ↑
  22. 1 2 Harry Potter and the Deathly Hallows – Part 2
  23. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on October 31, 2011.
  24. 1 2 "Star Wars: The Last Jedi". Box Office Mojo. สืบค้นเมื่อ May 21, 2018.
  25. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 27, 2018.
  26. ↑ "Jurassic World: Fallen Kingdom (2018)". Box Office Mojo. สืบค้นเมื่อ January 12, 2019.
  27. 1 2 FrozenTotal as of August 3, 2014: $247,650,477Total as of August 31, 2014: $249,036,646Total as of August 17, 2014: $167,333Total as of July 27, 2014: $21,668,593Total as of November 2, 2014: $22,492,845Total as of June 8, 2014: £39,090,985Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)Total as of December 14, 2014: £41,170,608 ($1 = £0.636)Total as of November 26, 2017: £42,840,559 ($1 = £0.7497)Total as of December 3, 2017: £42,976,318 ($1 = £0.742)Total as of March 30, 2014: €35,098,170Total as of October 18, 2015: €42,526,744nb. the exact euro to dollar conversion rate is unknown for earnings since April 2014, but the euro never fell below parity with the dollar during 2014 and 2015 (as can be verified by comparing the exchange rate on the individual date entries at the provided reference) so an approximate conversion rate of €1:$1 is used here to give a lower-bound.
  28. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 2, 2014.
  29. ↑ "Beauty and the Beast (2017)". Box Office Mojo. สืบค้นเมื่อ September 5, 2017.
  30. 1 2 3 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 11, 2017.
  31. ↑ "Incredibles 2 (2018)". Box Office Mojo. สืบค้นเมื่อ March 25, 2019.
  32. ↑ "The Fate of the Furious (2017-04-14)". Boxoffice. สืบค้นเมื่อ January 11, 2018.
  33. ↑ "Iron Man 3 (2013)". Box Office Mojo. สืบค้นเมื่อ October 28, 2013.
  34. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on February 21, 2014.
  35. ↑ "Minions (2015)". Box Office Mojo. สืบค้นเมื่อ January 2, 2016.
  36. 1 2 "Captain America: Civil War (2016)". Box Office Mojo. สืบค้นเมื่อ October 24, 2016.
  37. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on August 1, 2016.
  38. ↑ "Aquaman (2018)". Box Office Mojo. สืบค้นเมื่อ October 18, 2019.
  39. ↑ "Spider-Man: Far From Home (2019)". Box Office Mojo. สืบค้นเมื่อ December 3, 2019.
  40. ↑ "Captain Marvel (2019)". Box Office Mojo. สืบค้นเมื่อ July 21, 2019.
  41. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 23, 2019.
  42. ↑ "Transformers: Dark of the Moon (2011)". Box Office Mojo. สืบค้นเมื่อ January 18, 2014.
  43. 1 2 The Lord of the Rings: The Return of the King
  44. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on June 5, 2004.
  45. ↑ "Skyfall (2012)". Box Office Mojo. สืบค้นเมื่อ April 1, 2013.
  46. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on March 3, 2013.
  47. 1 2 "Transformers: Age of Extinction". Box Office Mojo. สืบค้นเมื่อ May 17, 2015.
  48. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 2, 2014.
  49. ↑ "The Dark Knight Rises (2012)". Box Office Mojo. สืบค้นเมื่อ December 14, 2012.
  50. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 3, 2012.
  51. ↑ "Toy Story 4 (2019)". Box Office Mojo. สืบค้นเมื่อ December 10, 2019.
  52. ↑ "Joker (2019)". Box Office Mojo. สืบค้นเมื่อ January 27, 2020.
  53. ↑ "Top Lifetime Grosses". Box Office Mojo. Archived from the original on December 4, 2019.
  54. 1 2 "Toy Story 3 (2010)". Box Office Mojo. สืบค้นเมื่อ March 17, 2010.
  55. 1 2 "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 18, 2011.
  56. 1 2 "Pirates of the Caribbean: Dead Man's Chest (2006)". Box Office Mojo. สืบค้นเมื่อ January 11, 2010.
  57. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 1, 2006.
  58. ↑ "Rogue One: A Star Wars Story (2016)". Box Office Mojo. สืบค้นเมื่อ June 11, 2017.
  59. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 19, 2017.
  60. ↑ "Aladdin (2019)". Box Office Mojo. สืบค้นเมื่อ December 3, 2019.
  61. ↑ "Star Wars: Episode IX - The Rise of Skywalker (2019)". Box Office Mojo. สืบค้นเมื่อ January 27, 2020.
  62. ↑ "Pirates of the Caribbean: On Stranger Tides". Box Office Mojo. สืบค้นเมื่อ August 22, 2011.
  63. ↑ "Despicable Me 3 (2017)". Box Office Mojo. สืบค้นเมื่อ February 28, 2018.
  64. 1 2 3 Jurassic Park
    • Total: "Jurassic Park (1993)". Box Office Mojo. สืบค้นเมื่อ September 15, 2013. Worldwide: $1,029,153,882; Production Budget: $63 million
    • Original release: "Jurassic Park (1993)". Box Office Mojo. Archived from the original on January 19, 2013. สืบค้นเมื่อ April 5, 2013. $914,691,118
    • 2011 re-release: "Jurassic Park (2011 re-release)". Box Office Mojo. สืบค้นเมื่อ January 17, 2015. United Kingdom: $786,021
    • As of 2010: Block & Wilson 2010, pp. 756–757. "Production Cost: $70.0 (Unadjusted $s in Millions of $s) ... Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."
  65. 1 2 Krämer, Peter (1999). "Women First: Titanic, Action-Aventure Films, and Hollywood's Female Audience". In Sandler, Kevin S.; Studlar, Gaylyn. Titanic: Anatomy of a Blockbuster. Rutgers University Press. pp. 108–131. ISBN 978-0-8135-2669-0. p. 130: The list has Jurassic Park at number one with $913 million, followed by The Lion King...
  66. ↑ "Finding Dory (2016)". Box Office Mojo. สืบค้นเมื่อ April 24, 2017.
  67. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 25, 2016.
  68. 1 2 Star Wars Episode I: The Phantom Menace
  69. ↑ "Alice in Wonderland (2010)". Box Office Mojo. สืบค้นเมื่อ July 17, 2011.
  70. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 1, 2010.
  71. ↑ "Zootopia (2016)". Box Office Mojo. สืบค้นเมื่อ January 7, 2017.
  72. ↑ "The Hobbit: An Unexpected Journey (2012)". Box Office Mojo. สืบค้นเมื่อ April 22, 2013.
  73. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 2, 2013.
  74. 1 2 The Dark Knight
    • Total: "The Dark Knight (2008)". Box Office Mojo. สืบค้นเมื่อ October 28, 2012. Total: $1,004,558,444
    • Original release (excluding 2009 IMAX reissue): "The Dark Knight". The Numbers. Nash Information Services. LLC. Archived from the original on February 8, 2009. สืบค้นเมื่อ October 28, 2012. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009
    • 2009 IMAX re-release: "Warner Bros. Entertainment Wraps Record-Breaking Year". Warner Bros. January 8, 2009. สืบค้นเมื่อ April 22, 2016. With worldwide receipts of $997 million, “The Dark Knight” is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.
    • First-run gross and IMAX reissue: Gray, Brandon (February 20, 2009). "Billion Dollar Batman". Box Office Mojo. สืบค้นเมื่อ June 7, 2014. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.
  75. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on February 28, 2009.
  76. 1 2 Harry Potter and the Philosopher's Stone
  77. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 2, 2003.
  78. ↑ "Despicable Me 2 (2013)". Box Office Mojo. สืบค้นเมื่อ February 24, 2013.
  79. 1 2 The Lion King
  80. ↑ "The Jungle Book (2016)". Box Office Mojo. สืบค้นเมื่อ December 12, 2016.
  81. ↑ "All Time Worldwide Box Office". Box Office Mojo. Archived from the original on September 24, 2016.
  82. ↑ Monaco, James (2009). How to Read a Film:Movies, Media, and Beyond. Oxford University Press. p. 262. ISBN 9780199755790. The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.
  83. 1 2 Wasko, Janet (1986). "D.W. Griffiths and the banks: a case study in film financing". In Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. p. 34. ISBN 9780710097309. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
  84. ↑ Lang, Robert, ed. (1994). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. p. 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long.
  85. 1 2 Block & Wilson 2010, p. 26.
    • Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
  86. ↑ Birchard, Robert S. (2010), Intolerance, p. 45, Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers. In: Block & Wilson 2010.
  87. ↑ Coons, Robin (June 30, 1939). "Hollywood Chatter". The Daytona Beach News-Journal. p. 6.
  88. ↑ Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. p. 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.
  89. 1 2 3 4 "Biggest Money Pictures". Variety. June 21, 1932. p. 1. Cited in "Biggest Money Pictures". Cinemaweb. Archived from the original on July 8, 2011. สืบค้นเมื่อ July 14, 2011.
  90. 1 2 Solomon, Aubrey (2011). The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. ISBN 9780786462865.
    • Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
    • What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
    • Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
    • State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
  91. ↑ Hall & Neale 2010, p. 53. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
  92. ↑ Brownlow, Kevin (1968). The parade's gone by ... University of California Press. p. 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.
  93. ↑ Vance, Jeffrey (2008). Douglas Fairbanks. University of California Press. p. 146. ISBN 9780520256675. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).
  94. 1 2 "Business: Film Exports". Time. July 6, 1925. Archived from the original on November 5, 2010. สืบค้นเมื่อ July 12, 2011. (Subscription required (help)).
  95. 1 2 3 4 5 Birchard, Robert S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 9780813138299.
  96. ↑ May, Richard P. (Fall 2005), "Restoring The Big Parade", The Moving Image, 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978, ...earning somewhere between $18 and $22 million, depending on the figures consulted
  97. ↑ Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (4 ed.). Abbeville Publishing Group. p. 30. ISBN 9781558592360. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.
  98. ↑ Hall & Neale 2010, pp. 58–59. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
  99. ↑ "Ben-Hur (1925) – Notes". Turner Classic Movies. สืบค้นเมื่อ December 19, 2017.
  100. ↑ Hall & Neale 2010, p. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"
  101. ↑ Miller, Frank. "For Heaven's Sake (1926) – Articles". Turner Classic Movies. สืบค้นเมื่อ January 15, 2012.
  102. ↑ Finler 2003, p. 188. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
  103. 1 2 The Jazz Singer and The Singing Fool
    • Block, Hayley Taylor (2010), The Jazz Singer, p. 113, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.
  104. ↑ Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. pp. 549–552. ISBN 9780520221284. The Singing Fool: Negative Cost ($1000s): 388
  105. ↑ Birchard, Robert S. (2010), The Broadway Melody, p. 121, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: Block & Wilson 2010.
  106. ↑ Bradley, Edwin M. (2004) [1st. pub. 1996]. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. ISBN 9780786420292.
    • The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
    • The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
    • Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
  107. 1 2 3 Solomon, Aubrey (2002) [First published 1988]. Twentieth Century-Fox: a corporate and financial history. Filmmakers series. 20. Rowman & Littlefield. ISBN 9780810842441.
    • Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
    • Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
    • The French Connection
    p. 167. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."p. 256. "$3,300,00".
  108. ↑ Block & Wilson 2010, p. 46. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
  109. ↑ Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. p. 28. ISBN 9780312100674. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
  110. 1 2 Balio, Tino (1996). Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Volume 5 of History of the American Cinema. University of California Press. ISBN 9780520203341.
    • Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
    • Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
  111. ↑ Hell's Angels
    • Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. p. 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
  112. ↑ Feaster, Felicia. "Frankenstein (1931)". Turner Classic Movies. สืบค้นเมื่อ July 4, 2011.
  113. ↑ Block & Wilson 2010, p. 163. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
  114. ↑ Vance, Jeffrey (2003). Chaplin: genius of the cinema. Abrams Books. p. 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
  115. ↑ Ramsaye, Terry, ed. (1937). "The All-Time Best Sellers – Motion Pictures". International Motion Picture Almanac 1937–38. New York: The Quigley Publishing Company: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
  116. 1 2 3 4 Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. pp. 146–148. ISBN 9780859896603. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
    • Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; US box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
    • The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; US box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
    • Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; US box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
    • Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; US box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
    • San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; US box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
  117. ↑ Shanghai Express
    • Block & Wilson 2010, p. 165. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
  118. ↑ King Kong
    • Jewel, Richard (1994). "RKO Film Grosses: 1931–1951". Historical Journal of Film Radio and Television. 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
    • "King Kong (1933) – Notes". Turner Classic Movies. สืบค้นเมื่อ January 7, 2012. 1952 release: $2,500,000; budget: $672,254.75
  119. ↑ "I'm No Angel (1933) – Notes". Turner Classic Movies. สืบค้นเมื่อ January 7, 2012. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
  120. ↑ Finler 2003, p. 188. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
  121. ↑ Block, Alex Ben (2010), She Done Him Wrong, p. 173, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: Block & Wilson 2010.
  122. ↑ Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. p. 26. ISBN 9781567207248. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
  123. ↑ Block & Wilson 2010, p. 135. "Total production cost: $274,076 (Unadjusted $s)."
  124. 1 2 Turk, Edward Baron (2000) [1st. pub. 1998]. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. ISBN 9780520222533.
    • The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
    • San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
  125. ↑ McBride, Joseph (2011). Frank Capra: The Catastrophe of Success. University Press of Mississippi. p. 309. ISBN 9781604738384. According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.
  126. ↑ Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. University Press of Mississippi. p. 79. ISBN 9781604730876. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
  127. ↑ Snow White and the Seven Dwarfs
    • Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. p. 54. ISBN 9780810874343. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
    • Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. p. 359. ISBN 978-0911515008. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
    • "Snow White and the Seven Dwarfs (1987 Re-issue)". Boxoffice. สืบค้นเมื่อ May 29, 2016. North American box-office: $46,594,719
    • "Snow White and the Seven Dwarfs (1993 Re-issue)". Boxoffice. สืบค้นเมื่อ May 29, 2016. North American box-office: $41,634,791
  128. 1 2 Snow White and the Seven Dwarfs and Pinocchiop. 207. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".p. 255. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
  129. ↑ 1938
    • You Can't Take It With You:"You Can't Take It With You Premieres". Focus Features. Archived from the original on September 13, 2012. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.แม่แบบ:Cbignore
    • Boys Town: Block, Alex Ben (2010), Boys Town, p. 215, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.
    • The Adventures of Robin Hood: Glancy, H. Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film, Radio and Television. 1 (15): 55–60. doi:10.1080/01439689500260031. $3.981 million.
    • Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, p. 213, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.
  130. ↑ Chartier, Roy (September 6, 1938). "You Can't Take It With You". Variety. สืบค้นเมื่อ September 13, 2011.
  131. ↑ "Gone with the Wind". The Numbers. Nash Information Services. LLC. สืบค้นเมื่อ February 8, 2013.
  132. ↑ "Gone with the Wind". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  133. 1 2 Miller, Frank; Stafford, Jeff (January 5, 2007). "Gone With the Wind (1939) – Articles". Turner Classic Movies. Archived from the original on July 28, 2013.
  134. ↑ Hall & Neale 2010, p. 283 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
  135. ↑ "Pinocchio (1940)". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  136. ↑ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. p. 266. ISBN 9780199839223. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
  137. ↑ Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. Volume 6 of History of the American Cinema. University of California Press. p. 466. ISBN 9780520221307. Boom Town ($4.6 million).
  138. ↑ Block & Wilson 2010, pp. 258–259. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
  139. ↑ Block & Wilson 2010, p. 267. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
  140. ↑ Finler 2003, p. 301. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
  141. ↑ "Bambi". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  142. ↑ Block & Wilson 2010, p. 281. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
  143. 1 2 3 4 Block & Wilson 2010, pp. 712–713.
    • Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
    • 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
    • The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
    • Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
  144. ↑ Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. pp. 94–95. ISBN 9780719048531. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
  145. ↑ Block & Wilson 2010
    • Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, p. 279, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
    • Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
  146. ↑ McAdams, Frank (2010), For Whom the Bell Tolls, p. 287, Despite the early furor over the novel being “pro-red and immoral,” the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: Block & Wilson 2010.
  147. ↑ "For Whom the Bell Tolls (1943) – Notes". Turner Classic Movies. สืบค้นเมื่อ June 24, 2012.
  148. 1 2 "A Guy Named Joe (1944) – Notes". Turner Classic Movies. สืบค้นเมื่อ August 29, 2012. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.
  149. ↑ Bergreen, Laurence (Summer 1996). "Irving Berlin: This Is the Army". Prologue. 28 (2). Part 3. สืบค้นเมื่อ August 22, 2012.
  150. ↑ "This Is the Army (1943) – Notes". Turner Classic Movies. สืบค้นเมื่อ July 9, 2011.
  151. 1 2 3 4 5 6 7 Finler 2003, pp. 356–363
  152. ↑ Block & Wilson 2010, p. 420. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
  153. 1 2 Block & Wilson 2010, p. 232.
    • Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
    • Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
    • Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
  154. ↑ Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. pp. 197–199. ISBN 9780822323747. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
  155. ↑ Block & Wilson 2010
    • p. 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
    • Wasson, Sam (2010), The Bells of St. Mary's, p. 297, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.
  156. ↑ "Song of the South". The Numbers. Nash Information Services. LLC. สืบค้นเมื่อ July 10, 2011.
  157. ↑ Gabler, Neal (2007). Walt Disney: the biography. Aurum Press. pp. 438. Still, the film wound up grossing $3.3 million...
  158. ↑ "Song of the South (1946) – Notes". Turner Classic Movies. สืบค้นเมื่อ July 25, 2012.
  159. ↑ Hall & Neale 2010
    • p. 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
    • p. 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
  160. ↑ Burns, Douglas (2010), The Best years of Our Lives, p. 301, The film made a $5 million profit on worldwide rentals of $14.8 million. In: Block & Wilson 2010.
  161. 1 2 Hall & Neale 2010, p. 285 (note 6.56). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
  162. ↑ Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. p. 18. ISBN 9781850438151. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
  163. ↑ "Unconquered (1947) – Notes". Turner Classic Movies. สืบค้นเมื่อ January 10, 2012.
  164. ↑ Miller, Frank. "Easter Parade (1948) – Articles". Turner Classic Movies. สืบค้นเมื่อ July 19, 2012.
  165. ↑ Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. p. 110. ISBN 9780826413956. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
  166. ↑ Officer, Lawrence H. (2011). "Dollar-Pound Exchange Rate From 1791". MeasuringWorth. สืบค้นเมื่อ November 18, 2012. 1947–1948: $4.03 (per British pound)
  167. ↑ "The Snake Pit". The Numbers. Nash Information Services. LLC. Archived from the original on January 13, 2012.
  168. ↑ "'Snake Pit' Seen No Problem After All". Variety. January 19, 1949. p. 7.
  169. 1 2 Hall & Neale 2010, p. 136–139
    • Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
    • Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
  170. ↑ "Cinderella (1950)". The Numbers. Nash Information Services. สืบค้นเมื่อ January 2, 2017.
  171. ↑ Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. Pennsylvania State University. p. 178. ISBN 9780786885077. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
  172. ↑ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. p. 401. ISBN 9780195167290. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
  173. ↑ The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.
  174. 1 2 Lev, Peter (2006). Transforming the Screen, 1950–1959. Volume 7 of History of the American Cinema. University of California Press. ISBN 9780520249660.
    • Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
    • Rear Window: pp. 203–204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
  175. 1 2 Block & Wilson 2010, p. 335.
    • The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
    • Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
  176. ↑ Mulligan, Hugh A. (September 23, 1956). "Cinerama Pushing Ahead As Biggest Money-Maker". The Register-Guard. Eugene, Oregon. p. 7B. |access-date= requires |url= (help)
  177. ↑ Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. p. 71. ISBN 9780813136110. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
  178. ↑ Burns, Douglas (2010), The Greatest Show on Earth, pp. 354–355, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: Block & Wilson 2010.
  179. ↑ "The Greatest Show on Earth (1952) – Notes". Turner Classic Movies. สืบค้นเมื่อ January 8, 2012.
  180. ↑ "Peter Pan (1953) – Notes". Turner Classic Movies. สืบค้นเมื่อ July 24, 2011.
  181. ↑ Hall & Neale 2010, p. 147–148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
  182. ↑ Block & Wilson 2010, p. 367. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
  183. ↑ "Rear Window". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  184. ↑ "White Christmas". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  185. ↑ Block & Wilson 2010, p. 420. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
  186. ↑ Hall & Neale 2010, p. 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
  187. ↑ "20000 Leagues Under The Sea". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  188. ↑ Miller, John M. "20,000 Leagues Under the Sea (1954) – Articles". Turner Classic Movies. สืบค้นเมื่อ January 9, 2012.
  189. ↑ Finler 2003, p. 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
  190. 1 2 3 D'Alessandro, Anthony (October 27, 2003). "Disney Animated Features at the Worldwide Box Office". Variety. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million
  191. ↑ "Lady and the Tramp (1955) – Notes". Turner Classic Movies. สืบค้นเมื่อ July 27, 2011.
  192. ↑ Minego, Pete (May 21, 1956). "Pete's Pungent Patter". Portsmouth Daily Times. Portsmouth, Ohio. p. 19.
  193. ↑ "Cinerama Holiday (1955) – Notes". Turner Classic Movies. สืบค้นเมื่อ July 7, 2012.
  194. ↑ Block & Wilson 2010
    • p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
    • Burns, Douglas (2010), Mister Roberts, p. 383, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.
  195. ↑ Block & Wilson 2010, p. 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
  196. 1 2 Hall & Neale 2010, pp. 159–161
    • The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
    • The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
  197. ↑ Hall & Neale 2010, p. 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
  198. ↑ Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. pp. 278–279. ISBN 9780199911431. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
  199. ↑ Block & Wilson 2010, p. 324. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
  200. ↑ Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Volume 14 of Hollywood classics. Lulu. p. 243–245. ISBN 9781411678774. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
  201. ↑ Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. pp. 298 (note 2.23). ISBN 9780786459162. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
  202. 1 2 Hall & Neale 2010, p. 179.
    • Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
    • The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
  203. ↑ Nixon, Rob. "Psycho (1960) – Articles". Turner Classic Movies. สืบค้นเมื่อ January 9, 2012.
  204. ↑ Tube. (January 18, 1961). "One Hundred and One Dalmatians". Daily Variety. สืบค้นเมื่อ August 23, 2011.
  205. ↑ Block, Hayley Taylor (2010), West Side Story, p. 449, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010.
  206. 1 2 3 4 5 6 7 Block & Wilson 2010, p. 434.
    • The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
    • 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
    • Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
  207. ↑ Lawrence of Arabia
    • 1962 release: "Lawrence of Arabia". The Numbers. Nash Information Services. LLC. สืบค้นเมื่อ August 15, 2011. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000
    • US total (including reissues): "Lawrence of Arabia". Boxoffice. สืบค้นเมื่อ May 29, 2016. $44,824,852
  208. 1 2 3 Hall & Neale 2010, p. 165–166
    • Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70mm roadshows in selected territories only."
    • The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
    • Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
  209. ↑ Hall & Neale 2010, p. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
  210. 1 2 3 4 Block & Wilson 2010, pp. 428–429
    • From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
    • Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
    • Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
    • Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
  211. 1 2 Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. ISBN 978-1-84511-515-9.
    • From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at Google Books)"
    • Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million... (Online copy at Google Books)"
    • Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at Google Books)"
  212. 1 2 Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. p. 261. ISBN 978-0-299-23014-2.
    • From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at Google Books)"
    • Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at Google Books)"
  213. 1 2 Hall & Neale 2010, p. 184
    • My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
    • Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
  214. ↑ Burns, Douglas (2010), Mary Poppins, p. 469, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010.
  215. ↑ "The Sound of Music". Boxoffice. สืบค้นเมื่อ June 23, 2013.
  216. ↑ "Hawaii". The Numbers. Nash Information Services. สืบค้นเมื่อ August 18, 2011.
  217. ↑ "Who's Afraid of Virginia Woolf?". Boxoffice. สืบค้นเมื่อ June 23, 2013.
  218. ↑ Hall & Neale 2010, p. 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
  219. ↑ "Animals Portray Parts in Disney's "Robin Hood"". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's [sic] initial world-wide release, has grossed $23.8 million to date...
  220. ↑ "The Jungle Book". Variety. December 31, 1966. สืบค้นเมื่อ March 14, 2018. It was filmed at a declared cost of $4 million over a 42-month period.
  221. 1 2 Denisoff, R. Serge; Romanowski, William D. (1991). Risky Business: Rock in Film. Transaction Publishers. ISBN 9780887388439.
    • The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."
    • Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
  222. 1 2 Hall & Neale 2010, p. 191–192
    • The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
    • Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
  223. ↑ 2001: A Space Odyssey
  224. ↑ Haber, Joyces (March 27, 1969). "'Funny Girl' a Box Office Winner". Los Angeles Times. Archived from the original on March 29, 2012. สืบค้นเมื่อ March 29, 2012. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
  225. ↑ Welles, Chris (September 7, 1970). "Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits". New York. 3 (36). New York Media. pp. 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
  226. ↑ Butch Cassidy and the Sundance Kid
    • United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. สืบค้นเมื่อ June 19, 2014. $102,308,525
    • Outside North America: Vanity Fair. 2008. p. 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.
  227. ↑ "'Love Story' II: Ryan Redux?". New York. 9. New York Media. 1976. p. 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.
  228. ↑ Block, Hayley Taylor (2010), Love Story, p. 545, The final cost came in at $2,260,000. In: Block & Wilson 2010.
  229. ↑ Scott, Vernon (June 30, 1979). ""Airports" Flourish". The Bryan Times. United Press International. p. 10.
  230. ↑ Block & Wilson 2010, p. 541. "Screenwriter and director George Seaton was given a then-whopping production budget of $10 million to make what would be his last big movie after a long career as an actor in radio, a screenwriter, and a director."
  231. ↑ Block & Wilson 2010, p. 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
  232. 1 2 3 4 5 6 Block & Wilson 2010, p. 527.
    • Star Wars: Ep IV A New Hope: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
    • Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
  233. ↑ The Godfather
    • 1974: Newsweek. 84 (19–27): "%24285+million" 74. 1974. The original Godfather has grossed a mind-boggling $285 million... Missing or empty |title= (help)
    • 1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. p. "%24285+million" 36. ISBN 9780899506180. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).
    • 1997 re-release: "The Godfather (Re-issue)". Boxoffice. สืบค้นเมื่อ June 23, 2013. North America: $1,267,249
    • As of 2010: Block & Wilson 2010, p. 246. "Domestic Box Office: $135.0; Foreign Box Office: $110.1 (Unadjusted $s in Millions of $s)."
    • Total: "The Godfather". Boxoffice. สืบค้นเมื่อ June 23, 2013. Worldwide Gross: $245,066,411
  234. ↑ Jacobs, Diane (1980). Hollywood Renaissance. Dell Publishing. p. "million+in+worldwide+sales"+godfather 115. ISBN 9780440533825. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
  235. ↑ "The Godfather (1972)  – Notes". Turner Classic Movies. สืบค้นเมื่อ January 9, 2012.
  236. ↑ "The Exorcist". Boxoffice. สืบค้นเมื่อ June 23, 2013.
  237. ↑ Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. p. "the+sting"+million+worldwide+exorcist&dq=" 76. ISBN 9780803846814. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
  238. ↑ New York, New York Media, vol. 8, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. ("The+Sting%2C+which+had+world-wide"+revenues Online copy at Google Books) Missing or empty |title= (help)
  239. ↑ Block & Wilson 2010, p. 560. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."
  240. ↑ Hall & Neale 2010, pp. 206–208. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."
  241. ↑ Brooks, Mel (2004). "My Movies: The Collisions of Art and Money". In Squire, Jason E. The movie business book (3 ed.). Simon and Schuster. ISBN 978-0-7432-1937-2. To their credit, Blazing saddles, opened wide in June to tremendous business around the country. It's done over $80 million in rentals worldwide in 1974 dollars. (Online copy at Google Books)
  242. ↑ Block & Wilson 2010, p. 564. "Production Cost: $2.6 (Unadjusted $s in Millions of $s)."
  243. ↑ "Jaws". Boxoffice. สืบค้นเมื่อ June 23, 2013.
  244. 1 2 Kilday, Gregg (July 5, 1977). "Director of 'Jaws II' Abandons His 'Ship'". The Victoria Advocate. p. 6B.
  245. ↑ Priggé, Steven (2004). Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. p. 8. ISBN 9780786419296. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
  246. ↑ Hall & Neale 2010, p. 214. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."
  247. ↑ Block, Alex Ben (2010), Rocky, p. 583, The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010.
  248. ↑ "Star Wars (1977)". Box Office Mojo. สืบค้นเมื่อ January 10, 2012.
  249. 1 2 3 4 Wuntch, Philip (July 19, 1985). "Return of E.T." The Dallas Morning News. Archived from the original on March 6, 2012. สืบค้นเมื่อ March 6, 2012. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.
  250. ↑ Hall & Neale 2010, p. 218. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."
  251. ↑ "Grease". Boxoffice. สืบค้นเมื่อ June 24, 2013.
  252. ↑ Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. p. 145. ISBN 9781459600072. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
  253. 1 2 Kramer vs. Kramer
    • United & Babson Investment Report. Babson-United, Inc. 72: "%248+million"+"now+the+second" 262. 1980. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second... Missing or empty |title= (help)
    • Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. p. 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).
  254. ↑ "Rocky II". Boxoffice. สืบค้นเมื่อ June 24, 2013.
  255. ↑ Kilday, Greg (May 22, 1992). ,310543, 00.html "Rules of the Game" Check |url= value (help). Entertainment Weekly (119). สืบค้นเมื่อ July 4, 2012.
  256. ↑ The Empire Strikes Back
  257. 1 2 3 Block & Wilson 2010, p. 519.
    • The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
    • Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
    • The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
  258. ↑ Raiders of the Lost Ark
  259. ↑ "E.T.: The Extra-Terrestrial (1982)". Box Office Mojo. สืบค้นเมื่อ January 10, 2012.
  260. 1 2 Block & Wilson 2010, p. 609. "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T.: The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."
  261. ↑ Block & Wilson 2010, p. 652. "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."
  262. ↑ Return of the Jedi
  263. ↑ "Indiana Jones and the Temple of Doom (1984)". Box Office Mojo. สืบค้นเมื่อ February 12, 2013.
  264. 1 2 3 4 5 6 Finler 2003, pp. 190–191.
  265. ↑ Block & Wilson 2010, p. 664. "Production Cost: $28.2 (Unadjusted $s in Millions of $s)."
  266. ↑ Back to the Future
  267. ↑ Finler 2003, p. 268. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."
  268. ↑ "Top Gun". Boxoffice. สืบค้นเมื่อ September 15, 2013.
  269. ↑ McAdams, Frank (2010), Top Gun, pp. 678–679, Production Cost: $19.0 (Millions of $s) ... Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office. In: Block & Wilson 2010.
  270. ↑ Fatal Attraction
    • "Fatal Attraction". Boxoffice. สืบค้นเมื่อ September 15, 2013.
    • Scott, Vernon (June 15, 1990). "'Three Men and Baby' Sequel Adds Cazenove to Original Cast". The Daily Gazette. New York. Hollywood (UPI). p. 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...
  271. ↑ "Rain Man". Boxoffice. สืบค้นเมื่อ September 15, 2013.
  272. ↑ Finler 2003, p. 244. "Rain Man: 30.0 (cost in million $s) "
  273. ↑ "Indiana Jones and the Last Crusade (1989)". Box Office Mojo. สืบค้นเมื่อ September 15, 2013.
  274. ↑ Block & Wilson 2010, pp. 694–695. "Production Cost: $55.4 (Unadjusted $s in Millions of $s) ... The film went on to haul in over $494 million worldwide."
  275. ↑ "Ghost". Boxoffice. สืบค้นเมื่อ September 19, 2013.
  276. ↑ Terminator 2
  277. ↑ Ansen, David (8 July 1991). "Conan The Humanitarian". Newsweek. สืบค้นเมื่อ September 19, 2013.
  278. ↑ "Aladdin". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  279. ↑ Toy Story
  280. ↑ Block & Wilson 2010, pp. 776. "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"
  281. ↑ "Die Hard: With A Vengeance". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  282. ↑ Finler 2003, p. 123.
  283. ↑ "Independence Day (1996)". Box Office Mojo. สืบค้นเมื่อ September 13, 2009.
  284. ↑ "Armageddon". Boxoffice. สืบค้นเมื่อ May 29, 2016.
  285. ↑ Block & Wilson 2010, p. 509. "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."
  286. ↑ "Mission: Impossible II". Box Office Mojo. สืบค้นเมื่อ January 6, 2012.
  287. ↑ The Lord of the Rings: The Two Towers
  288. ↑ "Shrek 2 (2002)". Box Office Mojo. สืบค้นเมื่อ February 5, 2009.
  289. ↑ Harry Potter and the Goblet of Fire
  290. ↑ "Pirates of the Caribbean: At World's End (2007)". Box Office Mojo. สืบค้นเมื่อ June 15, 2011.
  291. ↑ Patten, D. (December 3, 2009). "'Avatar's' True Cost—and Consequences". The Wrap. Archived from the original on December 5, 2009.
  292. ↑ Rubin, Rebecca (April 30, 2018). "'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time". Variety. Archived from the original on May 14, 2018. สืบค้นเมื่อ May 14, 2018.
  293. ↑ D'Alessandro, Anthony (April 27, 2019). "'Avengers: Endgame' To Near Rare Breakeven Point With $1.1B Global Opening". Deadline Hollywood. สืบค้นเมื่อ April 27, 2019.
  294. ↑ "Show Business: Record Wind". Time. February 19, 1940. Archived from the original on February 2, 2010. สืบค้นเมื่อ January 19, 2013. (Subscription required (help)).
  295. ↑ Thomas, Bob (August 1, 1963). "Movie Finances Are No Longer Hidden From Scrutiny". The Robesonian. Associated Press. p. 10.
  296. ↑ The Atlantic Monthly. 231. 1973. p. 2. As of the end of 1971, GWTW stood as the all-time money-drawing movie, with a take of $116 million, and, with this year's reissues, it should continue to run ahead of the second place contender and all-time kaffee-mit-schlag spectacle.
  297. ↑ New Times. 2. 1974. Coppola is King Midas, the most individually powerful U.S. filmmaker ." His credits include directing the first Godfather (worldwide earnings: $142 million, ahead of Gone with the Wind, The Sound of Music and The Exorcist)...(Online copy at Google Books)
  298. ↑ Harmetz, Aljean (May 18, 1980). "The Saga Beyond 'Star Wars'". The New York Times. Archived from the original on January 31, 2012. สืบค้นเมื่อ January 30, 2012. "Star Wars" has brought 20th Century-Fox approximately $250 million in film rentals ... "Star Wars" grossed $410 million, and his share was enough to allow him to finance its sequel, "The Empire Strikes Back," himself.
  299. ↑ "Jurassic Park (1993) – Miscellaneous notes". Turner Classic Movies. สืบค้นเมื่อ July 9, 2011.
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