อ้างอิง ของ เชิงสี่เหลี่ยมมุมฉาก

  1. 1 2 Gray, Nicolete. "Slab-serif type design in England 1815-1845". Journal of the Printing Historical Society. 15: 1–35.Gray, Nicolete. "Slab-serif type design in England 1815-1845". Journal of the Printing Historical Society. 15: 1–35.
  2. ↑ Twyman, Michael. "The Bold Idea: The Use of Bold-looking Types in the Nineteenth Century". Journal of the Printing Historical Society. 22 (107–143).
  3. 1 2 3 4 5 "Sentinel: historical background". IDSGN. คลังข้อมูลเก่าเก็บจากแหล่งเดิมเมื่อ 2019-04-28. สืบค้นเมื่อ 15 July 2015."Sentinel: historical background". IDSGN. Archived from the original on 2019-04-28. Retrieved 15 July 2015.
  4. ↑ Mosley, James (1963). "English Vernacular". Motif. 11: 3–56.
  5. ↑ Kennard, Jennifer (3 January 2014). "The Story of Our Friend, the Fat Face". Fonts in Use. สืบค้นเมื่อ 11 August 2015.
  6. ↑ Mosley, James. "The Nymph and the Grot: an Update". Typefoundry blog. สืบค้นเมื่อ 12 December 2015.
  7. 1 2 James Mosley, The Nymph and the Grot: the revival of the sanserif letter. London: Friends of the St Bride Printing Library, 1999.
  8. 1 2 3 4 Gray 1980, p. 12. sfn error: no target: CITEREFGray1980 (help)
  9. ↑ Mosley 1984, p. 33. sfn error: no target: CITEREFMosley1984 (help)
  10. ↑ Mosley 1984, p. 29. sfn error: no target: CITEREFMosley1984 (help)
  11. ↑ Gray 1980. sfn error: no target: CITEREFGray1980 (help)
  12. ↑ Gray 1980, p. 22. sfn error: no target: CITEREFGray1980 (help)
  13. ↑ Gray 1980, pp. 12, 15. sfn error: no target: CITEREFGray1980 (help)
  14. ↑ Hansard, Thomas Curson (1825). Typographia, an Historical Sketch of the Origin and Progress of the Art of Printing. p. 618. สืบค้นเมื่อ 12 August 2015.
  15. ↑ Tam, Keith. "The revival of slab-serif typefaces in the 20th century" (PDF). KeithTam. คลังข้อมูลเก่าเก็บจากแหล่งเดิม (PDF)เมื่อ 2022-02-18. สืบค้นเมื่อ 3 March 2016.
  16. ↑ Hamilton Wood Type and Printing Museum
  17. ↑ Analog, digital, virtual: @Home with Hamilton Wood Type by Molly Doane
  18. 1 2 "Rob Roy Kelly Wood Type Collection". University of Texas. สืบค้นเมื่อ 23 October 2015."Rob Roy Kelly Wood Type Collection". University of Texas. Retrieved 23 October 2015.
  19. ↑ Bringing Wood Type into the 21st Century by Angela Riechers
  20. ↑ Hamilton Wood Type Collection – joint venture between P22 Type Foundry and the Hamilton Wood Type and Printing Museum
  21. ↑ Wood Type Revival – created from hand-set letterpress prints of the original 19th century wood type by Matt Griffin & Matt Braun
  22. ↑ Etna – typeface adapted by Mark Simonson from HWT Aetna
  23. ↑ Carter, E., Day. B, Meggs P.: "Typographic Design: Form and Communication, Third Edition", page 35. John Wiley & Sons, 2002.
  24. ↑ Biggs, John (1954). The Use of Type: The Practice of Typography. Blandford Press.
  25. ↑ Hutt, Allen (1973). The Changing Newspaper: typographic trends in Britain and America 1622-1972 (1. publ. ed.). London: Fraser. pp. 100–2 etc. ISBN 9780900406225. The majority of the world's newspapers are typeset in one or another of the traditional Linotype 'Legibility Group', and most of the rest in their derivatives.
  26. ↑ Alexander S. Lawson (January 1990). Anatomy of a Typeface. David R. Godine Publisher. pp. 277–294. ISBN 978-0-87923-333-4.
  27. ↑ The Legibility of Type. Brooklyn: Mergenthaler Linotype Company. 1935. สืบค้นเมื่อ 29 April 2016.
  28. ↑ Middendorp, Jan. Dutch Type. pp. 192 etc.
  29. ↑ Bryan, Marvin (1996). The Digital Typography Sourcebook. New York: Wiley. pp. 144–145. ISBN 9780471148111.
  30. ↑ Theodore Low De Vinne (1902). The Practice of Typography: A Treatise on Title-pages, with Numerous Illustrations in Facsimile and Some Observations on the Early and Recent Printing of Books. Century Company. pp. 233–241. ISBN 9780838309353.
  31. ↑ Alexander S. Lawson (January 1990). Anatomy of a Typeface. David R. Godine Publisher. pp. 262–280. ISBN 978-0-87923-333-4.
  32. ↑ Ovink, G.W. (1971). "Nineteenth-century reactions against the didone type model - I". Quaerendo. 1 (2): 18–31. doi:10.1163/157006971x00301. สืบค้นเมื่อ 20 February 2016.
  33. ↑ Frere-Jones, Tobias. "Scrambled Eggs & Serifs". Frere-Jones Type. สืบค้นเมื่อ 23 October 2015.
  34. ↑ Type classifications are useful, but the common ones are not by Indra Kupferschmid
  35. ↑ "Helserif". MyFonts. URW++. สืบค้นเมื่อ 19 March 2016.
  36. ↑ Loxley, Simon (14 May 2012). "Font Wars: A Story On Rivalry Between Type Foundries". Smashing Magazine. สืบค้นเมื่อ 20 March 2016.
  37. ↑ Coles, Stephen. "Twitter post". Twitter. สืบค้นเมื่อ 20 March 2016. [From a Helserif ad:] "Look what happened to Helvetica. It grew wings."
  38. ↑ Budrick, Callie (19 October 2015). "Vintage Fonts: 35 Adverts From the Past". Print. สืบค้นเมื่อ 20 March 2016.

แหล่งที่มา

WikiPedia: เชิงสี่เหลี่ยมมุมฉาก https://web.archive.org/web/20190428213121/typogra... https://web.archive.org/web/20220218215335/https:/... https://web.archive.org/web/kupferschrift.de/cms/2... http://idsgn.org/posts/know-your-type-clarendon/ https://fontsinuse.com/uses/5578/the-story-of-our-... https://typefoundry.blogspot.co.uk/2007/01/nymph-a... https://archive.org/details/typographiaanhi01hansg... https://archive.org/details/Mergenthaler1935TheLeg... https://archive.org/details/digitaltypograph00brya... https://keithtam.net/wp-content/uploads/2019/08/sl...