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  • Simple carving, Cornwall, 1689[33]
  • Dublin 1848, caps-only heading with crossed V-form 'W'
  • Corset advertisement using multiple grotesque typefaces, United States, 1886
  • Light sans-serif being used for text, Germany, 1914
  • Small art-nouveau flourishes on 'v' and 'w'. Ljubljana, 1916.
  • Italic, Dublin, 1916
  • Nearly monoline and stroke-modulated sans; Austrian war bond poster, 1916
  • Broad block capitals. Hungarian film poster, 1918.
  • Monoline sans-serif with art-nouveau influenced tilted 'e' and 'a'. Embedded umlaut at top left for tighter linespacing.
  • Art Deco thick block inline sans-serif capitals, inner details kept very thin. France, 1920s.
  • Berthold Block, a thick German sans-serif with shortened descenders, allowing tight linespacing. Switzerland, 1928.
  • Artistic sans-serif keeping curves to a minimum (the line 'O Governo do Estado'), Brazil, 1930
  • Lightly modulated sans-serif lettering on a 1930s poster, pointed stroke endings suggesting a brush
  • Geometric sans-serif capitals, with sharp points on 'A' and 'N'. Australia, 1934.
  • Dwiggins' Metrolite and Metroblack typefaces, geometric types of the style popular in the 1930s
  • Stencilled lettering apparently based on Futura Black, 1937
  • A 1940s American poster. The curve of the 'r' is a common feature in grotesque typefaces, but the 'single-storey' 'a' is a classic feature of geometric typefaces from the 1920s onwards.
  • 1952 Jersey holiday events brochure, using the popular Gill Sans-led British style of the period
  • Swiss-style poster using Helvetica, 1964. Tight spacing characteristic of the period.
  • Ultra-condensed industrial sans-serif in the style of the 1960s; Berlin, 1966
  • Neo-grotesque type, Switzerland, 1972: Helvetica or a close copy. Irregular baseline may be due to using transfers.
  • Tightly-spaced ITC Avant Garde; 1976
  • Governmental poster using Univers, 1980
  • Anti-nuclear poster, 1982
  • 1997 film festival poster, Ankara
  • Distorted sans-serif in the "grunge typography" style, Ankara, 2002
  • Letterpress poster by Alan Kitching, 2015

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